http://www.millionsarchitecture.com/texts daily 0.75 2025-11-30 https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1707018654875-S1A65D5G3XMC4UNTAH5V/image-asset.jpeg texts Click on images to access readable PDF or link. https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1707014220888-4ULVC8D6MJGCVS21FQ9O/image-asset.jpeg texts https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1707018654875-S1A65D5G3XMC4UNTAH5V/image-asset.jpeg texts Click on images to access readable PDF or link. https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1739335133374-XYMBTI9I18GOKT723T9C/6_HM_51_18-19.jpg texts https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1543592408815-M2K8LR2HBGWQZTTNHLCW/Screen+Shot+2018-11-30+at+10.12.20+AM.png texts https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1580610633905-12G94FQX47VOI2KLNC1Q/image-asset.gif texts 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daily 1.0 2026-02-05 https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1483836010875-LK9X1V3D39TM5B2EX1M0/20141202-Instruments-Exh-5.jpg projects - The Instruments Project Exhibition Princeton SOA https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1483834506475-2TPHGDBLWIC9AYE0VAJ9/IMG_0521.JPG projects - Lakehouse Under construction. Upstate NY. In Progress https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1482199148488-41G0UBBQW4LV83O1BZ8C/Tent01.gif projects - Tents In Progress https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1538325362027-V3UXU25D879HCL4HKDZ7/MILLI%C3%98NS_PROJECTORS3_00.png projects In progress… https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1483165809816-MWURF3TX1MAAWXB7X97X/02.jpg projects - Los Angeles Museum of Geography The Homeless Amongst Us. Los Angeles Museum of Geography. October 15 2016 - November 12 2016. The first exhibition of the Los Angeles Museum of Geography, "The Homeless Amongst Us," curated by LAMG and designed by MILLIØNS. Three metal tents serve as immersive video projection environments for extended interviews with formerly homeless individuals. https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1536681752178-7WWN96HGMK3VROA3BCEC/MILLI%C3%98NS_Zeina+Koreitem_John+May_Jack+Erwin_NYC_05.jpg projects Jack Erwin’s first brick and mortar retail space. Location: Midtown, Manhattan, NY Status: Completed, July 2018 Photos by Ned Castle Art direction by MILLIØNS https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1483855990041-AIUIOLKWNSMJ40NBII9J/ZK_BUST.jpg projects Beirut Rooftop (Section,-90° X-Axis Rotation) BUST group exhibition Jai & Jai Gallery. Los Angeles. August 29 2015 – October 31 2015. Media 30.75”x19”x11.75” 3D Sandprint Finish: ‘Mystic Pearl Tropical Passion’ https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1483495970767-YED7RJLQWY5MIJHDUFJ9/MILLI%C3%98NS_CollectiveFullTower.jpg projects Collectives I palestra: (Greek palaistra, plural palaistrai), Greek exercise and training site. Palaestra etymologically and perhaps originally referred to an area for wrestling (pale), but came to describe a structure with wider functions: an enclosed square or long courtyard surrounded by rooms for various activities (e.g. undressing, oiling, dusting). The Roman writer Vitruvius gives two Stadia (about 400m) as a standard circuit; however, no excavated example is so large. Palaestrae (from at least the fourth century) might be privately owned and operated, as standalone facilities or as part of a Gymnasia, and identified by an individual’s name; or public. In some communities, palaestrae (like gymnasia) were set-aside for boys or older users, perhaps in an attempt to prevent undesired sexual activity. pancreation: wrestling panic: “The quasi-divine seizure of an organism by panic is similar to demonic possession; master of relations, some demon takes hold of all those who appear on the stage of its theater, in a dance uncoordinated to the point of paralysis, amid the cries, rictus, vomiting, icy and copious sweats, the tetanization and then collapse of the muscles, the relaxations of the sphincter, the stench of the appalling trails, the death pangs.” (Michel Serres, Variations sur le corps) paraphernalia: exercise and bathing garments, sandals, towels, and cista. plaster: “A plaster of indistinct color is useful in all moderate wounds, animal bites, and contusions or cuts on joints, as when teeth are punched in. Likewise it is remarkably helpful for boils and swellings of the lymphatic glands, completely dissipating hardness as long as it is used for some time. It also draws fluids off long-term ulcer scars and it is generally wonderfully good for all sorts of light tasks in daily usage: it doesn’t allow tumors or pus to develop; it sticks, so that bandages are unnecessary; and it will not fall off in the bath.” (Scribonius Largus, c. 214) https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1483862488508-ZPSG32EMBEMGH9AP1AFP/new_massings_for_new_masses_exibition_03.jpg projects New Massings For New Masses | Collectivity After Orthography MIT Keller Gallery, May 15 - August 15 2014. There once was an architectural dream called Housing, which demanded from any architect who dared wander into its dream-shadow a complete rejection of existing culture. Housing was, during its early and most radical period, the first legitimate architectural counterculture. It was also a possible path towards career suicide. Housing is no longer possible—in part because all of the historical and socio-political conditions that made it a sensible concept have been swept away: Socialism and Liberalism have given way to Neoliberalism; the State has been swallowed by the Market; sociality has dissolved into interactivity; the city has been erased by urbanism; etc. This much we know. More importantly, however, for our purposes: the architectural spirit of experimentation that motivated Housing has ceased to exist because the technical-representational surface from which it emerged—the orthographic architectural drawing—has disappeared. Architecture has not yet discovered ways of experimenting with collective forms of life within its new technical regimes. https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1483843259377-LKCBL5OUDO5IIGD3IN0D/Final+plan+03+copy.jpg projects Collectives II: After Program Thus the modern sociopolitics of program was, from the outset, always already a technopolitics of the thermostat...The programmatic thermostatic. To speak of program as a technical concept is to expose it as a kind of Janus concept, one side of which has always gazed outward toward a set of demands and limitations (“the brief”). Opposite this face, hiding in plain sight, are the technical conditions that allowed for the emergence of all postwar programmatic reasoning—conditions whose deployment and eventual ubiquity established a blank thermal canvas, upon which premillennial architects were (so they imagined) free to experiment without consequence... Wandering among the ruins of a kingdom of its own making, program still declares its absolute sovereignty over so-called architectural agency, quietly searching for some release from the technical hazards of its birth. Today, in all the rooms of that kingdom, one finds nothing but hollow strategies of analysis, mixing, and hybridization, which by themselves are incapable of imagining or stimulating anything other than endless variations on the twilight characteristic of the present: our wasteful modern lives.... This view is disintegrating today. We have arrived at a situation in which programmatic thinking, reflexively coupled to thermostatic regulation, constitutes a primary political condition of contemporary architecture—partly because this coupling can now finally be seen as architecturally banal, but more consequentially because this way of thinking produces and reproduces entire populations dependent upon the now dangerous interior principle that anything can and should happen anywhere at any time. ("The Temperamental Interior," Harvard Design Magazine No. 43) https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1484205607745-1DHTY4SN44S7M3J4TDXD/model_2_3.jpg projects Manhattanization(in collaboration with First Office)The Commissioners' Plan of 1811 was the original urban abstraction. It superimposed an unyielding grid onto the territory of the island. In the two centuries that followed, the distance between representation and reality closed; the grid parcels seamlessly executed their instrumentality for real estate development. To open once again a space of representation that can reflect our distance from an assumed reality, the present form of the island is submitted to a series of transformations. Each model adheres simultaneously to the factual accumulation of Manhattan-as-such and to an alienation from that reality. The island is summarily reconstituted through a mechanical reduction of resolution: the extrusion. What emerges is a template for urbanism, governed not by the figure-ground plan, but by the flattened skyline. The models project the city from the outside in, describing it as a monumental object. In the first model, Manhattan is divided into discrete parcels according to variations and anomalies in the original plan. Once the iconic districts are outlined in plan, each one is treated as an internally closed system, defined by two internal skylines--one on the southern, and another, on the eastern edge. The independently projected elevations, when brought together, reproduce a recognizable, yet inaccurate, model of the island. The irregularities tie this abstraction to real zones in the city, while the union of the two projected skylines produces an uncanny sense of distance. The second model takes Manhattan to its lowest resolution. While the most recognizable image of the city is the skyline, an extrusion along this line delivers a radical estrangement from the real. The seventeen parcels of the first abstraction reduce to one undifferentiated block in the second. Describing Manhattan as one volume through its three faces, the island plan and its two skylines, produces pure plaid. None of the exceptions preserved in the first model exist in the second. Extrusion does not average. It does something else, favoring the extremes. The final study gives the island a new form of discontinuity through a grid of evenly spaced two hundred acre parcels. As with previous models, each cube is then projected from three drawings only, crossing two hundred skyline segments through one another. When the cubes are placed together, the skylines do not match. Only the street grid lines up to connect the superblocks into a continuous urban fabric. There are visible seams. The cubic parcels resist being brought together into one unified model. Each one is a mini Manhattan, governed by its own internal logic. https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1483836131038-HXBUMXE0GRFYZ048IL1K/10.jpg projects Zoopol (in collaboration with First Office) The Zoopol is a serial documentation of extant urban typologies. The types--belonging to three distinct orders of animality: the leopard, the zebra, and the giraffe--stand as discrete reflections of the real. Taken together, they describe the city naked, stripped bare of preconceptions. At turns seductive or imposing, familiar or alienating, the Zoopol is unwillingly strung halfway between the desires of progressive modernity and the failures of its own objective past. Though they struggle towards, and indeed dream of, their own infinite extension, each typology is in reality restricted--in part because competition among types ensures the limitation of each, but more significantly because modernity can only ever be realized and managed partially. It is this tension--between the dream of infinity and the reality of its incompleteness--that defines the Zoopol as an always-unfinished project. Within this primary conflict, however, lies a second game, in which the eccentricities of architectural form (here confined to the envelope) are forever tamed by the absolutism of managerial demands; by a dictatorial logic of maintenance and regulation that knows only ones and zeros, inside and outside. It can only comprehend desire as surface or scale. The Zoopol is not a natural reserve. The Zoopol does not solve environmental problems. The Zoopol is not a self-sufficient eco-system. The Zoopol does not create a harmony between species. The Zoopol is not a tourist destination. The possibilities for building Zoopols are inexhaustible, and each typology offers a different environment appropriate to the characteristics of its pattern: Leopard City is a dense tower settlement; Zebra City is a mid-rise slab development; Giraffe City is a continuous low-density mat with courtyards throughout. https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1571196256552-4Z8QZ7Y7W0GNCYWFJU5U/Gymnasium+1_MILLIONS_Photo+by+Zeno+Legner_Space+Saloon_01.jpg projects Gymnasium I Location: Morongo Valley, CA Hemp-crete is a carbon negative building material that approximates many of the thermal properties of traditional concrete construction without the heavy environmental impacts. Gymnasium 01 is an open experiment in the use of hemp-crete for an outdoor communal bathing facility. The team designed and built a permanent monolithic deck, with a pool for hot and cold bathing, sited at the top of the hill in Morongo Valley, with a view towards Mt San Jacinto state park. Tiles of varying thickness (ranging from 6” to 3”) respond to the intensity of the desert climate, producing a variable thermal surface throughout the day and night.Gymnasium I was built by students as part of a weeklong workshop for Space Saloon, a “community in residence” design-build festival in Morongo Valley, California. Photo by Zeno Legner https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1676568215841-4BI7UIALF54HR3BXTGWP/IMG_5193_web.jpg projects Making A Scene Making A Scene is an experimental film and exhibition design commissioned by SCI-Arc. Director: Natou Fall & Zeina Koreitem Director Of Photography: Alexa Cha & Kayla Hoff Production Manager: Wendy Guerrero Sound: Gregory Uhlmann Production Stills: Logan White Editor: Jacqueline Kramer Colorist: Kayla Hoff 05/22/21 Photos by Logan White https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1525127910346-9QDRM3TCCDZQFSKAIMJP/03292018_Live_Feed_Platform_Exhibit_046.jpg projects Live Feed Exhibition and book design for Platform X at the Druker Design Gallery, Harvard GSD. In collaboration with Jon Lott (PARA-Project) and Natasha Jen (Pentagram). Team: John May & Jon Lott, Direction and Curation Dan Borelli, Director of Exhibitions, GSD David Zimmerman-Stuart, Exhibitions Coordinator Justin Gallagher; Grace McEniry; Scott March Smith; Emerald Hanguang Wu; Sofia Balters; Benjamin Halpern; Hyojin Kwon https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1483833823697-MV6G0E8B17RRT50RXYPE/ZK_p.93.jpg projects https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1722024523811-93IYJFNUZZI5JQYL2MA5/MILLI%C3%98NS_BEIRUT+ROOFTOP_EXTERIOR.jpg projects Beirut Rooftop Somewhere between the stereotomic stonework of classical architecture and the “service cavity” logic of the modern plenum wall lies a different conception of solidity, in which the whole casuistry of modern comfort is intentionally destabilized by the energetic storage capacity of thermal mass. When placed in conversation with sunlight and air, thermal mass obliterates the sovereignty of program by tethering existence to the dynamism of ever-changing interior thermal properties, which lag always behind exterior conditions...The concept of an energetically unprogrammed architecture emerges, founded on active bodies living amid active surfaces in a deregulated interior, where life wells up in various spaces at various times—never establishing itself with permanence in any one location—coalescing for the duration of a spectacle saturnalia, dissipating later into the intimacy of solitude. https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1483409386694-IGL1H5FA82T44O56DAA1/Clip04.gif projects The Collectives 00:10:47:01 The Drawing Show. A+D Museum. Los Angeles. October 2016 - January 2017. The Collectives, 00:10:47:01 is a video of the electronic manipulation of the electrical signals that comprise the computational image of an orthographic plan. (From Mimi Zeiger's review "Walk The Line" in Metropolis Magazine): "...curated by A+D director Dora Epstein Jones and Deborah Garcia, offers a selection of two-dimensional works by many emerging and a few firmly established practitioners. Freed from the constraints of technique, drawing here includes digital plots, screen prints, collage, photographic reproduction, and even video. Missing are the conventions of what a layperson might understand as architectural drawing: no beaux-arts gauche elevations, no construction documents, no developer renderings, and certainly no overt representations of buildings....An emotive and digital answer is also true of Zeina Koreitem and John May's "The Collectives," a ten-minute video that owes more to new media precedents than architectural history, in which glitches and tics overwhelm the picture plane with a flood of attention deficit disorder tendencies." https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1738785385925-YU1UT2DMK1MT5KFE6A66/ViewC_AugEvening.jpg projects Retrofit and addition to a house in Topanga Canyon, CA Status: Under construction https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1738892688405-2KD0S3RDY446RLQYP4NK/1229_Burlington_Exterior_07.jpg projects Addition to a single family house in Burlington, VT Design Development https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1482195814220-WO577JTKQKRDMFGU9U4R/Screen+Shot+2016-12-19+at+4.20.32+PM_sm.png projects Projectors II [1.4] This project takes on the question of “image tectonics.” Image tectonics not as an exploration of the architecture (or the tectonic) of the image (only) but rather an exploration of how the image becomes the architectural image; the capacity of the fleeting, always distorted image to produce tectonics. In order to pursue such an approach, image-based strategies of disruption must be viewed as essential elements of the architectural process, rather than “imprecisions”, errors waiting to be technically eliminated. These strategies include specific types of image projection: ray tracing, parsing, sorting, scanning and other forms of algorithmic pixel manipulation. https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1705991837213-I9XPQ81KM6RVG25BFO70/Copy+of+MCFTA-Hayv15000-HDR.JPG projects January 12 - May 11, 2024 Exhibition Design Artist: Hayv Kahraman Location: Moody Center For The Arts, Houston TX ”The Foreign in Us is the artist’s first solo exhibition in Texas and includes major works informed by the artist’s Iraqi-Kurdish heritage and experience as a refugee while highlighting her research-driven practice”. https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1739074653031-Q5IXZTDOQKFLUAYQCH8I/MILLIONS_TAIPEI.jpg projects Taipei Biennial 2020 curated by Bruno Latour and Martin Guinard. Research: Kiel Moe Projection content: Peter Osbourne Exhibition Design & Curation: MILLIØNS The Ghost Acres of Architecture displays data, artifacts and spatial information regarding the Seagram Building—an iconic modernist building in Manhattan designed by Mies van der Rohe, completed in 1958. The time from the first moment of extraction of its raw materials up to its present realities is presented through dynamic interactive visualization techniques that lay bare the immense territorial reach of just one single building project. The project evokes a broad range of evidence—drawing together digital projections and raw geological and architectural elements—to explicate the planetary reach of architecture, making design practice far less abstract and much more literal as a genre of terrestrial activity. https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1705009735682-ESVM0WGEAXZDPKDK3QZH/09112023_Multihyphenation_Exhibit_0002.jpg projects Exhibition Design and Curation in collaboration with Sean Canty Studio. Graphics by Alexis Mark. — This exhibition has been organized together with its counterpart, issue 51 of Harvard Design Magazine. In keeping with the media-sensitivity and format-specificity of multihyphenation, the magazine presents itself as a printed object that captures for posterity a fundamental shift in contemporary practice, whereas this exhibition offers an experience of multihyphenate works that is dynamic, experiential, and temporary. Multihypenation features works by: AD-WO, A-POC ABLE ISSEY MIYAKE, Arielle Assouline-Lichten, groupsports, Höweler+Yoon, Inside Outside | Petra Blaisse, Metahaven, Michael Meredith, Hilary Sample & MOS, OMA, Samuel Ross, SO – IL, Oana Stănescu and WOJR. https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1739076185978-M0YGATUFVQMPXUE07ZBW/No-Thing_Install_11.jpg projects Bathing, Again Furniture set commissioned by Friedman Benda gallery in NYC and curated by Chamber Gallery. "No-Thing" opened on January 18, 2018 in parallel with the exhibition "Inside The Walls: Architects Design". Bathing, Again, 2018 Sink (3D silica sand print and brushed brass) 36 x 30 inches (dia.) 91.5 x 76 cm (dia.) Floor tiles (fiberglass reinforced white concrete) 6 x 84 x 14.5 inches 15 x 213.5 x 37 cm Edition of 3, 2AP Photos by Ned Castle https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1641683577168-QGEM6JCE4SSPI0LFYR7I/_D4S9254.jpg projects Aube Aube is a commissioned pavilion by Centre Pompidou Metz, France, as part of the “Toi et moi on vit pas sur la même planète” exhibition curated by Bruno Latour, Martin Guinard and Eva Lin. 11/06/21 - 04/04/22 Photos by Marie Christine https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1760886064810-O64OU5FOECYXMYBYNJNC/MLLNS_Triennale_Screen+Shot+2023-05-08+at+3.58.36+PM.png projects Triennale di Milano Exhibition and performance as part of “The State of The Art of Architecture” Curated by Joseph Grima Photos by Gianluca Di Loia https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1705471154987-VH9D95A3HS8Z3ST7PON5/Everson+Museum+of+Art+5761.JPG projects © Iwan Baan Everson Museum of Art, Syracuse NY MILLIØNS wins the competition to reimagine the East Wing of IM Pei’s Everson Museum of Art in Syracuse, NY and to design a restaurant and display for the Rosenfield Ceramics Collection. Press: Architectural Digest Wallpaper* Surface The Spaces NYT http://www.millionsarchitecture.com/studio daily 0.75 2025-11-30 https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/e9eb16f8-08f9-449d-9639-b5fd3fc22f0d/20231216_Millions_1069.jpg studio - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/9a0f947a-a437-47d7-a745-2aceb820c409/Screenshot+2025-11-29+at+11.49.56%E2%80%AFPM.png studio - Make it stand out Portrait by Bryson Malone http://www.millionsarchitecture.com/press daily 0.75 2025-10-19 https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1757475888816-02JP4I3TWUNYYOX1MZLH/Wallpaper+400US_2025.jpg press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1746309152296-A8IJBL3LQB72VYCCJHK4/GUDBERG-NERGER_Flash-Art-Volumes-Issue-002_Crisis-Formalism.jpeg press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1726765922673-ISOZXPR27ENT0T65838W/New+York+Times_B.jpg press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1726850494208-F77BML7CCBES308SAR60/Bryson+Malone_Zeina+Koreitem+copy.jpg press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1721944725691-Q87RUHBMPK2OQFUECPXM/Screenshot+2024-07-25+at+2.58.14%E2%80%AFPM.png press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1720551122202-BA717IWC3G08UI985B92/Wallpaper+USA400.jpg press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1720550977321-3APANUF4CW2V1IO82LJ7/AD0724_Cover.jpg press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1720551039674-KJ3HNT9VVOCJPRTI02J2/AD+mag+Discoveries.jpg press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1707017773216-NYUBQ5U0LPIVYXVVWUII/Screenshot+2024-02-03+at+7.35.51%E2%80%AFPM.png press - January 2024 https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1707016865584-3HV7V8EOQ37R1IY0ZZY7/Domus.jpg press - Domus 1082 September 2023 https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1709235823465-ENOZRLRXNY2XGXE99KGB/Screenshot+2024-02-29+at+11.41.03%E2%80%AFAM.png press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1707017854533-IIBDNIJKND0QCKHCFVK6/hdm51_alexis-mark_5.jpg press - Harvard Design Magazine Issue 51, F/W 2023 https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1726850364134-SS1X82GDZ6PEZ8Y5EHAZ/Placeholder_Issue6.png press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1709235097270-53XJMIG72SYRG4NYYTZH/Screenshot+2024-02-29+at+10.44.02%E2%80%AFAM.png press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1707017694661-INU96JADYEAYL4TILHWW/Screenshot+2024-02-03+at+7.33.03%E2%80%AFPM.png press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1707016955031-BC99DTCNUH5YK6UAMLVC/Screenshot+2024-02-03+at+7.22.03%E2%80%AFPM.png press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1709236131315-UNQHRNTI9H0WFNJBV459/Screenshot+2024-02-29+at+11.47.14%E2%80%AFAM.png press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1717805426258-9U5OM1K92KJKPG666OIX/161-FLAUNT-MAGAZINE-AMANDLA-STENBERG-COVER.jpg press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1707018978460-L4FE4VQH633PTEEBQAVU/Screenshot+2024-02-03+at+7.53.53%E2%80%AFPM.png press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1707017089798-VR219SQ7WM9OAD7TOIGR/Screenshot+2024-02-03+at+7.24.22%E2%80%AFPM.png press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1709236168372-YKGDG0CP5FH8ZIT62XNZ/Screenshot+2024-02-29+at+11.46.04%E2%80%AFAM.png press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1709235087626-HFZPWZ7FT7UZULC9VB9U/Screenshot+2024-02-29+at+10.58.02%E2%80%AFAM.png press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1709235857868-4FHZGKTI1IPO55QH4H21/Room-journal-issue-1-7.jpg press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1709235885268-KZVCG4RQKS5JRQHX0DBP/Screenshot+2024-02-29+at+11.44.26%E2%80%AFAM.png press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1707017489367-J54K2CHOVNX4NW4N2DIB/Screenshot+2024-02-03+at+7.00.34%E2%80%AFPM.png press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1709235613244-Y6LE7HVLBJ3EBA2763D5/Screenshot+2024-02-29+at+10.31.14%E2%80%AFAM.png press https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1709235616586-Q7T4YWGHFY2CZA52KFQ1/Screenshot+2024-02-29+at+10.30.50%E2%80%AFAM.png press http://www.millionsarchitecture.com/new-page-1 daily 0.75 2024-02-04 http://www.millionsarchitecture.com/contact daily 0.75 2025-11-30 https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/ad81b206-25bf-40e2-b959-3b5297ee12f5/61674-6-0014.jpg contact - Make it stand out Whatever it is, the way you tell your story online can make all the difference.